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    Home»Editing»Tool Tip Tuesday for Adobe Premiere Pro: Precision Timeline Target Tracks by Jeff Greenberg
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    Tool Tip Tuesday for Adobe Premiere Pro: Precision Timeline Target Tracks by Jeff Greenberg

    spicycreatortips_18q76aBy spicycreatortips_18q76aOctober 29, 2025No Comments3 Mins Read
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    Tool Tip Tuesday for Adobe Premiere Pro: Precision Timeline Target Tracks 10
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    Welcome to Instrument Tip Tuesday for Adobe Premiere Professional on ProVideo Coalition

    I’m speaking in regards to the V or A monitor lights on the RIGHT facet of your timeline (to not be confused with the Supply patch targets on the LEFT).

    Observe targets decide.

    • The place the playhead stops when navigating with up/down arrows; the playhead solely stops on edits inside focused tracks.
    • Elevate/Extraction with an In/Out level.  Solely the focused tracks get affected.
    • Match Body. Premiere makes use of your lowest energetic video monitor.
    • Q and W keys (ripple to subsequent/earlier edit) respect monitor focusing on.

    You possibly can flip all of them off/on with a Shift-click or use Command/Ctrl+9 and 0 after which activate the tracks you need.

    What in case you’re engaged on a timeline and you solely need V3 energetic, or it’s essential to rapidly flip off A2?

    Toggle Timeline tracks let you use a single key to activate/off a particular monitor.

    Map them to your keyboard.

    Open up your Keyboard Shortcuts (Command/Ctrl+Possibility/Alt+Ok) and seek for “Toggle Video Goal” or “Toggle Audio Goal.”

    You’ll discover Toggle Video Goal 1, Toggle Video Goal 2, right through Toggle Video Goal 8. Identical factor for audio tracks. They’re fully unmapped by default.

    My mapping system

    I map Toggle Video targets to F1 by means of F8. Then I map Toggle Audio Targets to Shift F1 by means of Shift F8.

    Now I can toggle V3 and V2 on and off with a single keystroke.

    Some examples of how I take advantage of this

    I’m doing audio cleanup, and I’ve acquired dialogue on A1-A4, music on A5-A8. I have to examine one thing on simply A3? Hit CMD-0 and CMD-9 (flip off all video/audio tracks), then Shift+F3, and A3 is the solely monitor lit up. My up/down navigation now stops solely on A3 edits.

    Tremendous simple NOW to show V2 on/off

    Match Body at all times appears to be like on the lowest energetic video monitor. So in case you’ve acquired a graphic on V8 however you need to match body to the B-roll beneath on V3, CMD-0 (flip off all video tracks), then hit F3 to activate V3. Then F for Match Body.

    Final ideas

    99% of the time, I’m toggling one of many first 8 video or audio tracks anyway, as a result of that’s the place my story is.

    Each time I hear folks declare that Premiere is generally mouse-driven (I’m you /r/editors), I present them a operate like this.

    This collection is courtesy of Adobe.

    Adobe Greenberg Jeff Precision Premiere Pro Target Timeline tip Tool tracks Tuesday
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