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    Home»Editing»Lights, Camera, Debunk: Busting AI Myths in Film and TV
    Editing

    Lights, Camera, Debunk: Busting AI Myths in Film and TV

    spicycreatortips_18q76aBy spicycreatortips_18q76aOctober 2, 2025No Comments5 Mins Read
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    Lights, Camera, Debunk: Busting AI Myths in Film and TV
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    By Junaid Baig

    We see issues repeating when any new know-how positive aspects traction. Discourse arises about the way it’ll be used and the affect it’s going to have. Usually, the dialogue is hyperbolic and rapidly will get away from the realities of recent know-how adoption.

    Junaid Baig

    The newest of those discussions is about generative AI and the way it’s really impacting the media, leisure and filmmaking industries. The conversations that generative AI has sparked have resulted in myths about its place within the trade, whether or not it must be deployed in any respect to guard jobs, concerns round its sustainable affect and the function it ought to play in creativity.

    I can’t assist however suppose that usually these myths are a results of a misunderstanding about how AI is getting used, what goes on within the backend or how good AI is at some duties. Let’s take a look at a few of these myths and the truth behind them.

    Fantasy 1: Generative AI Will result in Job Losses
    The concept widespread AI adoption will result in job cuts is fallacious. Used correctly, AI isn’t about taking a group of 10 and lowering it to 2. It’s about serving to a group of two ship the output of a bigger group, whether or not that’s right down to the standard or amount that they’ll ship.

    AI ought to empower groups to do extra with their time. For instance, within the VFX trade, working lengthy hours to tight deadlines and with squeezed budgets is simply an accepted a part of the job. We must be aiming to make use of AI to hurry up processes throughout the VFX pipeline to alleviate these challenges, which might permit studios to really turn into worthwhile.

    There may be a lot demand for professional-quality content material throughout the multitude of streaming and social media platforms. Why shouldn’t the producers of this content material work with instruments that permit them to ship extra?

    Fantasy 2: AI Is Dangerous For The Setting
    It could be deceptive to say that any AI instrument, generative or in any other case, doesn’t have an effect on the surroundings, due to course it does. Each machine that’s capable of compute makes use of electrical energy or leans on knowledge facilities that want enormous quantities of sources to run.

    Nevertheless, if you take a look at the environmental affect of a single motion carried out by a generative AI instrument compared to the computing wants of extra conventional pipelines within the media trade, the steadiness rapidly shifts. You’ll be able to immediate a generative AI instrument to take a picture of a personality and animate it to get an thought of how it will transfer, and that motion makes use of a comparatively small variety of sources.

    The opposite, extra conventional method of constructing that occur is to construct that character in 3D or 2D, export it into one other program to verify it’s rigged for animation, after which animate the motion you need, perhaps in a 3rd program. To indicate that output to somebody, you must render it right into a shareable format. Every of these packages consumes sources; rendering, specifically, is a really resource-hungry course of.

    This means of working a number of packages without delay and sending property to a render farm simply to indicate somebody an thought is going on each minute of every single day. However utilizing generative AI to shortcut a couple of of these iterations really reduces the affect on the surroundings.

    Fantasy 3: AI Will Exchange Creativity
    This third delusion can rapidly be busted. Generative AI gained’t change creativity as a result of it may possibly’t.

    Unbiased thought is what results in concepts, and the event of these concepts is what we watch on screens, in video games we play, in books we learn. Whereas generative AI can carry collectively present concepts and assimilate them into one thing that appears new, it’s not really able to impartial thought.

    At Dimension, we’ve seen that the inventive roles inside our enterprise are those that stand to profit most from generative AI. The velocity of growth it allows is critical, which is very necessary in a enterprise that’s as iterative as ours.

    It additionally provides inventive folks extra channels to be inventive. When you’re a author arising with concepts, however can’t draw, generative AI is usually a quick and efficient method to share your concepts with people who wouldn’t be doable in any other case.

    That’s to not say that inventive roles aren’t altering. However paint on paper was changed with sooner digital animation processes, and NLE editors grew to become the norm over bodily movie modifying. And every of those shifts in workflows required folks to adapt and alter their skillsets. The identical is true for utilizing generative AI instruments.

    Producing The Actuality Of AI
    It’s straightforward to say that none of this stuff will come to fruition and that generative AI is just right here to serve us in making extra movies and TV sooner, higher and extra simply… however that’s provided that we use it accurately. There’s a actuality by which generative AI can be utilized incorrectly, in order an trade, we have to be sure that we deal with AI deployment with respect, rolling out instruments that enhance how we do issues and empower the superior creativity we have already got within the leisure trade.

    [Editor’s note: Mara & Milo: Magic & Mayhem is an AI-generated short film and proof of concept for Dimension’s AI content pipeline.]

     

    Junaid Baig chief innovation officer at Dimension Studio, which gives visualization, digital manufacturing, digital worlds, digital people, volumetric seize and efficiency seize. 

     

     

     

     

     

     

     

     

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