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    Home»Ideas»How we made the character designs for Netflix’s Sakamoto Days
    Ideas

    How we made the character designs for Netflix’s Sakamoto Days

    spicycreatortips_18q76aBy spicycreatortips_18q76aAugust 20, 2025No Comments8 Mins Read
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    Art from the Netflix anime Sakamoto Days
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    Over his profession, Yo Moriyama has primarily been identified for producing idea art work and prop designs for exhibits equivalent to Bubble and Lupin the Third: Goemon’s Blood Spray, however he has additionally been growing a fame for crafting character designs. That was the ability set he required for the Netflix anime sequence Sakamoto Days.

    Primarily based on the manga created by Yuto Suzuki, the difference is animated by TMS Leisure and directed by Masaki Watanabe. The story revolves round a infamous murderer who falls in love, swears by no means to kill once more, raises a household, and bodily will get out of practice. Nonetheless, the one retirement allowed by the organisation he used to work for is demise itself.

    “Designing the principle character in the best way I did for Sakamoto Days might be my first time doing something like that!” Moriyama inform us. “I’ve finished extra of the character ideas for initiatives outdoors of ones I’ve directed myself, however designing characters that truly come to life in an animation like this was a primary time for me.”


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    We caught up with the artist, who was formally credited because the present’s character designer, to be taught extra. For those who’re beginning out in idea artwork of animation your self, see our guides to the perfect drawing tablets and the perfect animation software program.

    Examine of the Manga

    Being a husband and father are crucial roles for the retired murderer, which is mirrored in his look and manner (Picture credit score: Nerflix)

    Moriyama was initially unfamiliar with the supply materials for the Netlfix anime. “I truly hadn’t learn it till I received the supply to work on this challenge,” he tells us. In consequence, the unique character designs from the manga had been at all times a degree of reference.

    “After I received the supply to work on the challenge and began, the manga was nonetheless at round 10 volumes or so and was progressively transitioning from the comical aspect to being somewhat extra critical,” Moriyama provides. “I talked with the director in regards to the stability between the 2 kinds to match the motion.

    The characters are one of many facets that is most cherished about Sakamoto Days, so Moriyama needed to retain their feel and look within the animation. In the meantime, director Watanabe made few particular requests. “He allowed me the liberty for the designs,” says Moriyama. “For particular person characters, after all there was some recommendation and we mentioned as we went, and made changes right here and there too.”

    Each day design information, evaluations, how-tos and extra, as picked by the editors.

    A paper-texture filter was utilized to honour the supply materials. (Picture credit score: Nerflix)

    Due to Suzuki’s manga, there was no further analysis wanted. “I studied that lots,” says Moriyama. “There’s a number of info within the authentic work past the characters I designed, equivalent to the best way the strains are drawn or different characters that aren’t as necessary. This stuff additionally turned references once I was engaged on the character designs.

    “I additionally studied the best way the shadows are drawn. Because it’s a manga, the drawings are fairly completely different from when it was first serialised and now. At this level, I really feel that it has extra lifelike shadow on the characters’ faces, in order that was one thing we included. Normally shadows on faces are merely a tone darker, however in Sakamoto Days there are strains within the shadows as nicely, which makes it extra lifelike and stand out. These had been the issues we needed to reference.”

    Sticking near the manga, the character designs noticed few alterations, as Moriyama explains: “We didn’t usher in too many further traits that might differentiate the characters from the unique manga, however we completely did retain the options that had been distinctive to the character.”

    Designing Taro Sakamoto

    Taro Sakamoto is so fast that he can use chopsticks to eat noodles and catch bullets (Picture credit score: Nerflix)

    The design of household figurehead Taro Sakamoto was fairly completely different from the opposite characters. “We stored in thoughts that his presence itself makes issues entertaining,” says Moriyama. “But when we made his design too easy it could stand out from the remaining, so we tried to stability it nicely towards the intense aspect. The strains of the unique manga have a really nuanced contact to them, so we had been at all times interested by how greatest to transition that throughout to the anime.”

    The older, fatter Taro has been given a extra muscular search for the animated rendition. “We mentioned carefully with the director about the best way to make Taro look fats,” Moriyama provides. “We tried to make him greater, thicker and heavier in comparison with the unique manga. We needed to make his type look as if a muscular particular person had develop into fats, slightly than him simply being a fats particular person. For the chubbiness of his face, that was made attainable by animation and making it humorous because it strikes.”

    When Taro overexerts himself, he goes again to his lean athletic physique (Picture credit score: Nerflix)

    A intelligent inventive determination by Yuto Suzuki was to have the slim type of Taro not solely seem in flashbacks, however to make use of the burden loss as a method to stress how a lot effort and power he places into preventing, very like his cinematic inspirations John Wick and Robert McCall of The Equalizer.

    One may argue the slimmer Taro Sakamoto is the character’s true type, which has been overtaken by his want to boost a household. This explains why an exaggerated, cartoony teddy bear aesthetic was adopted for the patriarch’s fats persona and a extra lifelike stylisation for the slimmed-down model of Taro.

    The hair and glasses are signature traits for the slim and fats variations of Taro (Picture credit score: Nerflix)

    A signature accent for Taro, for instance, is his glasses. “We tried to make his type lifelike, however making his glasses tremendous easy or his moustache comic-like, the intentional inconsistency is one in every of his options that we stored in thoughts. That’s a really catchy facet of Taro’s look.”

    Taro’s jowls present loads of comedic and expressive moments (Picture credit score: Nerflix)

    Conceptualising a prop isn’t considerably completely different from designing a personality. “It is determined by whether or not what I’m designing already exists or doesn’t exist, whether or not it is likely to be characters or props,” Moriyama observes. “I’ve beforehand labored on character design, however most of it could be authentic work the place I’d design the character from scratch.

    “Engaged on a challenge that’s based mostly on an authentic manga was a comparatively new expertise for me; the method is completely completely different. After I work on an authentic challenge, I don’t suppose an excessive amount of about it and begin drawing, then I’ll prepare it from there. However for Sakamoto Days, the characters already existed, so I needed to organise their traits in my head earlier than I started the drawing course of.”

    (Picture credit score: Nerflix)

    A serious supporting solid member went by essentially the most iterations. “In comparison with the opposite characters, Nagumo was a harder character to seize the traits of,” Moriyama displays. “I’d draw tough drafts of the characters and have Suzuki-sensei assessment it. For Nagumo, we had a few back-and-forth suggestions periods earlier than finalising. However, Shin and the fats Taro each went easily.”

    As for his private favorite character, Moriyama says: “It’s exhausting for me to decide on only one, however Gaku was a enjoyable character to design,” he smiles. “The designs and the ultimate characters which are truly animated are the identical, but they’re additionally completely completely different on the similar time. “Whereas I did the character design for the sequence, that design isn’t the ultimate stage.

    “From there, we add motion and colors, and it turns into the ultimate product. In that sense, I look ahead to individuals seeing Takamura; he’s a quieter character, and within the manga you don’t truly see his motion sequences an excessive amount of – it’s too fast. I feel his motion sequences must be interesting within the anime so I look ahead to individuals seeing him.”

    Moriyama felt it was an fascinating expertise having to take care of the established expectations that include engaged on an current IP for the primary time. “That was difficult for me,” he says. “When the characters exist already they’ll have their followers, and we have to translate them throughout to the anime nicely. As a lot because it’s difficult, that’s additionally the inventive and enjoyable a part of it.”

    For extra inspiration, see our character design suggestions and Disney’s 12 ideas of animation. We even have a choose of the perfect anime.

    Character Days Designs Netflixs Sakamoto
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