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    Home»Modeling»Dhanteras special: Indian jewels that bridge past and present
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    Dhanteras special: Indian jewels that bridge past and present

    spicycreatortips_18q76aBy spicycreatortips_18q76aOctober 18, 2025No Comments4 Mins Read
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    These Indian jewelry classics aren’t simply equipment; they’re tales of tradition and heritage, reimagined for a youthful technology.

    Saggi Phull and Dejhoor: Indian jewels that bridge previous and current

    Bugadi

    Bugadi is a conventional ear decoration named after a clove stick for its resemblance.

    Bugadi in Maharashtra, Bugudi in Karnataka and Koppu in Tamil Nadu, it’s a conventional ear decoration named after a clove stick for its resemblance. Worn on the helix, it includes a skinny, hole plug with a screw, secured by small balls at each ends. Its designs vary from temple-top (Kalashin) and disc Bugadi to peacock-inspired (Mayur) motifs, reflecting the wealthy artistry of the areas. Primarily worn by conventional communities, the Bugadi gained recognition by the Marathi music “Bugadi Majhi Sandli Ga” from the 1959 movie Sangtye Aika.

    This piece from Amama Jewels presents a daring reinterpretation, mixing Afghan motifs with conventional aesthetics to create a recent perspective.

    Saggi Phull

    The Saggi Phull or engagement flower is a head decoration, takes the highest spot within the Punjabi jewelry custom.

    The Saggi Phull (engagement flower), a head decoration, takes the highest spot within the Punjabi jewelry custom. It includes a central dome, typically manufactured from gold or silver, adorned with intricate floral patterns and gildings comparable to gem stones or pearls.

    It symbolises femininity, prosperity, and marital bliss, and is commonly a cherished household heirloom handed down by generations. “Historically, the Saggi Phull was tied with a thread behind the pinnacle to carry a heavy dupatta. We have redesigned it as a hairband, making it extra wearable and trendy,” says Poonam Malik, founder, Totapari.

    Gamkharu

    Gamkharu is a bangle, worn throughout weddings and cultural occasions in Assam, symbolising marital standing and cultural heritage.

    “Gam” in Assamese roughly refers back to the wrist or hand, and “Kharu” refers to a bangle. Crafted from gold or silver, this huge, flat bangle is adorned with intricate motifs comparable to floral designs, geometric patterns, and conventional Assamese symbols like Jaapi (conventional conical hat) and Gamosa (conventional textile).

    Gamkharu is worn throughout weddings and cultural occasions in Assam, symbolising marital standing and cultural heritage. Founding father of Kharikajai, Shivani Sharma, says, “Gamkharu’s magnificence lies in its versatility. Whether or not paired with ethnic apparel or styled as a chunky cuff with trendy outfits, it makes a daring assertion.”

    Dejhoor

    Dejhoor is a conventional ear decoration worn by Kashmiri Pandit ladies, symbolising marital standing and cultural id.

    A standard ear decoration worn by Kashmiri Pandit ladies, it symbolises marital standing and cultural id. Suspended from the ear by a pink thread, Dejhoor, worn from the day earlier than marriage, is later changed with a gold chain referred to as an ath, supplied by the bride’s in-laws.

    Historically crafted from gold, it includes a hexagonal motif, representing Shiva and Shakti. Tuhina Goyal, founder, Home of Tuhina, says, “Our Dejhoor earrings are a contemporary tackle this conventional adornment, infusing high-quality mirror work.

    It is about bridging previous and current with timeless and effortlessly wearable items.

    Mohar Mala

    The tribal heirloom Mohar Mala is an indicator of marriage, wealth and prosperity, incorporating previous cash (sikka) into its design.

    The tribal heirloom is an indicator of marriage, wealth and prosperity. The piece incorporates previous cash (sikka) into its design. Manufactured from gold or silver, it’s worn by the tribal group in Chhattisgarh, and in addition crafted in Rajasthan by native artisans. They’ve typically served as a approach for households to move down wealth within the type of gold. Aavriti R Jain, founding father of Dhora, says, “Rising up in Rajasthan, I used to be surrounded by tales of those items, every coin carrying a legacy. I wished to revive this custom for right now, honouring its roots whereas making it related for contemporary wardrobes.” She provides, “Youthful audiences adore it as an announcement accent. A centuries-old custom is discovering a spot in up to date styling.”

    Skeypuk

    Skeypuk is a bib-style necklace that showcases intricate beadwork crafted from supplies comparable to coral, turquoise, silver, and metallic medallions.

    This bib-style necklace showcases intricate beadwork crafted from supplies comparable to coral, turquoise, silver, and metallic medallions. Historically worn by ladies within the Sham Valley of Ladakh, the necklace holds deep cultural significance.

    In response to folklore, the Skeypuk was initially designed for a queen to cover her goitre. “New-age stylists are reinterpreting the Skeypuk, carrying it not solely as a necklace but additionally as a putting headpiece,” says Rinchen Dorjay, founder, Ladakh Artwork Palace.

    Bridge Dhanteras Indian jewels Present Special
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