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    Home»Retention»Cannes Briefing: What the ad industry isn’t saying about AI
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    Cannes Briefing: What the ad industry isn’t saying about AI

    spicycreatortips_18q76aBy spicycreatortips_18q76aJune 21, 2025No Comments8 Mins Read
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    Cannes Briefing: What the ad industry isn’t saying about AI
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    At Cannes, AI is the loudest matter nobody desires to speak about publicly. Everybody has an opinion. Few need their names connected to it. 

    That’s the factor about this 12 months’s greatest theme. It’s not simply AI itself that’s destabilizing the business. It’s the quiet discomfort folks have with how rapidly it’s shifting — and what that claims in regards to the work, the worth chain and who will get to maintain their seat on the desk. 

    “There’s quite a lot of oversight on all issues AI from company comms in the mean time,” mentioned an advert exec on the Croisette — instantly after asking to go off the report. 

    That is the form of the AI dialog at Cannes: imprecise in public, anxious in non-public. The official stance is cautious optimism. Behind closed doorways, the questions are extra direct: how a lot of what we do is now automatable? How lengthy earlier than purchasers begin to discover?

    And whereas the advert business calibrates its messaging in response, the shift is already occurring — simply not the place you’d count on.

    AI firms like Perplexity are on the town however not on the principle stage. They’re right here to take conferences — the type that matter. Tucked away from the principle drag, in quiet villas up within the hills, Perplexity’s head of promoting and buying Taz Patel is assembly straight with advertisers and a few companies. The pitch is open-ended — he desires them to inform him what advertisements they wish to see on the AI-powered search platform — however the course is evident. The corporate is laying the groundwork for a enterprise round advert {dollars} not simply subscriptions. 

    “I feel it’s most likely about 5 years till they actually begin making promoting as their greatest development driver,” mentioned an advert exec who was in a kind of conferences. 

    So whereas a lot of the moaning in Cannes this week facilities on AI and its supposed warfare on creativity, the larger story is unfolding elsewhere. It’s not a warfare, it’s a reordering. The platforms — new and previous — aren’t attempting to burn the business down. They’re simply constructing one thing that doesn’t want it in the identical approach. 

    The advertisers, companies, creators and advert tech distributors that perceive that may alter. Those that don’t will maintain attempting to win arguments that had been already determined a couple of product cycles in the past.

    The hole between these two mindsets — one reactive, the opposite already constructing — has by no means been extra apparent. And in Cannes this 12 months, it’s on full show.

    There are companies like PMG and distributors like MiQ which can be right here at Cannes attempting to indicate entrepreneurs what that appears like in apply. Not each demo is transformative however the intent is evident: automate the routine, push into higher-margin technique and keep helpful in a world the place the platforms are doing extra of the heavy lifting. 

    “There may be nonetheless this fascination with AI round creativity somewhat than all the different even bigger influence issues that it may well do,” mentioned Jim Mollica, CMO and president of luxurious audio at Bose.

    And he has some extent. 

    A lot of the Cannes chatter — heard and overheard — fixates on AI’s capability to generate content material quicker or cut back manufacturing prices. The larger shift is how AI is getting used to achieve aggressive and operational benefit, altering how selections are made, how media is allotted, how campaigns carry out. That’s much less seen however much more disruptive. And in lots of corners of the business, nonetheless under-discussed.

    Perhaps a part of why it stays under-discussed is as a result of participating with it means confronting some uncomfortable realities.

    Take media planning. At this time, giant components of the job sit between a marketer’s funds and the media house owners who ultimately get it. It’s a perform constructed on relationships, repute and institutional data. Certain, these qualities nonetheless matter, however AI is more and more able to replicating — or not less than supplementing — them.  

    Nonetheless, on the sidelines of the Croisette, there have been indicators the business is starting to tug itself out of the panic section. Some entrepreneurs aren’t simply asking what AI will take away, they’re starting to ask what they’ll construct with it. Its a mindset shift that may ultimately reshape the business. It simply won’t be occurring quick sufficient. 

    “My sense is that manufacturers and companies are additional alongside, definitely than they had been 12 months in the past in accepting and utilizing AI of their organizations,” mentioned Debra Aho Williamson, founder and chief analyst at Sonata Insights. “That mentioned there’s nonetheless quite a lot of skepticism and concern about absolutely AI generated promoting.” — Seb Joseph

    BeReal remerges at Cannes with a slower, cheaper tackle social advertisements

    BeReal was based with a French mindset: discover and recognize the enjoyment within the second, mentioned Ben Moore, managing director of the U.S.

    Now, it’s taking that positioning to Cannes for the primary time this 12 months, promoting itself to advertisers as a spot the place consideration is gathered to share unfiltered, in-the-moment snapshots of their lives.

    Moore is fast to acknowledge its dip within the person base that’s solely simply now beginning to tick again upward. The model sits at 40M MAU globally now, a spokesperson mentioned. And although this person base is smaller than rivals, Moore can be fast to say BeReal can be cheaper at $5 CPM.

    Below Voodoo’s acquisition, BeReal launched advertisements within the U.S. in April when TikTok was dealing with a ban. Since then, the corporate opened up native advertisements to 50 manufacturers together with Apple, Levi’s and Nike, Moore mentioned, carrying a BeReal cap and carrying a BeReal tote from which he was providing free bracelets for entry to its opening late evening after celebration on Monday (which was scheduled to run from 10 p.m. to three a.m.) on the Bisous Bisous Membership.

    Moore, who has had stints at Walmart Join and TikTok, talked up the app’s new person options: a technique to see who else round you is utilizing the app and showcased its advert expertise, together with blurring out the natural posts, however not the native advertisements — designed to offer these advertisements extra consideration earlier than rewarding customers with different viewable content material as soon as they share their very own.

    BeReal plans to evolve its advertisements enterprise this 12 months by introducing a self-serve platform on the finish of this 12 months/starting of 2026. “We take our time to construct issues not solely to protect our customers however we additionally wish to have a product that works,” Moore mentioned. — Sara Jerde

    Digiday Video Studio on the Blockboard Suite

    Day three, Cannes 2025 interviews with Aida Moudachirou Rébois, svp and normal supervisor, MAC Cosmetics, Jackie Jantos, CMO and president, Hinge, and Matt Graham, CMO, Mars, international meals and vitamin, touched on the significance of heart-based story telling in an AI-obsessed media and market sector, the way forward for the creator financial system in service of manufacturers, increasing into new international markets with passion-driven content material and getting ready product pricing and advertising for an unsure financial look forward. Please verify again right here for extra interviews. — Jim Cooper

    Elsewhere from Cannes

    • Snap’s Ajit Mohan believes having extra efficiency pushed capabilities has the potential to place the platform into the tier one platform bracket.
    • Between panels and events, creators need to get face time with advert execs, model entrepreneurs and companions like Spotify. Nonetheless, somewhat than coming to the Croisette to strike offers, they’re taking part in a protracted recreation.
    • The partnership lets OMG purchasers goal high-traffic live-streaming content material, together with sports activities, leisure and buying on YouTube.
    • At Cannes Lions Competition of Creativity this week, the tech vendor has been working to persuade advertisers — and skeptics — that it may well assist repair the model security system, which many say it helped break.

    Overheard

    “Sports activities is the brand new AI,” — an attendee, breathlessly, ready within the lengthy (and highly regarded) line for Stagwell’s Sport Seaside on the Croisette

    “They’re simply all over the place, all over the place we flip, all over the place.” — French holidaygoers attempting to make their approach via the crowds of advert business folks within the Carlton foyer

    “No less than we’re not getting sued.”

    “Was this line right here earlier than?” — Leslie Jones, strolling to the tip of the road to get into the Journal Home’s cocktail hour.

    Standing in line for the elevator on the Martinez, headed to the Feminine Quotient lounge:
    Lady: Do you thoughts if I ask you a query whereas we wait?
    Man: What’s it?
    Lady: I’m questioning about your understanding of Latino audiences?
    Man: I’d somewhat not.

    “In equity I used to be a little bit bit drunk this morning.”

    “I really feel like I nonetheless haven’t had an actual meal”

    “Raja [Rajamannar, CMO for Mastercard] goes to be stronger than the opposite CMOs, particularly amongst, like Samsung and others.”

    What to do

    10 a.m. to 10:30 a.m. at Lumière Theatre, The Palais
    Contemplate the job of creatives to dignify rising expertise with human empathy.

    10:45 a.m. to 11:15 a.m. at Terrace Stage, The Terrace
    Hearken to how AI and humanity converge.

    12:45 p.m. to 1:15 p.m. at Debussy Theatre, The Palais
    Hear from “The Chocolate Man” on rising a social media presence.

    Briefing Cannes Industry Isnt
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