The Camp Snap CS-8 doesn’t care about body charges, bit charges, or whether or not your footage is stabilized to unerring ranges of steadiness. It doesn’t need to change your iPhone or compete along with your mirrorless digital camera setup. What it presents as a substitute is one thing far easier and extra deliberate: the sensation of capturing video for the sake of it.
Very similar to Camp Snap’s point-and-shoot nonetheless digital camera from 2023 (the corporate’s solely different main product), it’s a throwback to when cameras didn’t assume for you and if you didn’t anticipate to assessment the pictures you simply captured till later—generally a lot later.
Impressed by the Tremendous 8 camcorders launched within the Sixties, the CS-8 is unapologetically retro in each look and performance. The physique is usually plastic, with faux-metal detailing and leatherette texture meant to evoke the mechanical period slightly than mimic it convincingly. It’s chunky and stable within the hand, albeit in a distinctly toylike means. In the event you’re on the lookout for authenticity, you’re not going to seek out it right here: There’s a pretend chilly shoe up prime and imitation screws on the base of the pistol grip. However that’s not the purpose—this isn’t Kodak’s $5,000 Tremendous 8 revival however slightly a $199 digital camera meant to stay in the actual world and get handed round at events, slung into backpacks for day journeys, and used with out a second thought.
Lights, Digicam, Motion
{Photograph}: Sam Kieldsen
There’s no display, no playback, and no Delete button. Right here, what you shoot is what you get. The settings and choices are stripped again, with one dial for choosing facet ratio (4:3, 16:9, 1:1, or 9:16) and one other for the video impact. These embrace commonplace colour, monochrome, and three lo-fi filters, together with one which simulates the grainy, jerky look of 8-mm movie.
I discovered that final one, labeled Analogue, was the star of the present. It drops the body price to twenty fps (it’s 30 fps with the opposite modes) and sprinkles in digital scratches, leading to footage that’s imperfect in probably the most deliberate means. The remainder of the filters really feel somewhat flat by comparability, although the monochrome setting can conjure up its personal punchy allure in the best lighting.
Utilizing the CS-8 is refreshingly bodily: Energy it on by flicking a dial, press your eye to the rubber-cupped viewfinder, and squeeze down the set off to document. There’s no focusing to fret about right here. The 8X zoom is dealt with with buttons labelled “W” and “T” for large and telephoto, although it’s digital-only, and backbone drops off rapidly if you push in too far.
