On this episode of Editors on Enhancing, Glenn Garland is joined by Stephen Mirrione, editor of the latest hit movie, “F1”. Mirrione talks in regards to the challenges related to managing and molding huge quantities of racing footage, which included a mixture of stunt automotive photographs, broadcast materials, and restricted actor-driven scenes because of an actor strike. The enhancing group needed to always adapt their method, utilizing storyboards as blueprints and using in depth visible results like “re-skinning” vehicles and helmets to keep up authenticity whereas accommodating technical limitations.
“As a substitute of including a automotive that doesn’t exist, we had been at all times basing that off of precise bodily materials,” Mirrione stated.
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