The Blackmagic URSA Cine 17K 65 digital movie digital camera has been added to the Netflix-approved digital camera checklist. Put this in one of many lesser shocking issues to occur because the Blackmagic URSA Cine 17K 65 digital movie digital camera builds upon a number of of Blackmagic’s cameras already accredited to be used on Netflix movies and documentaries.
Formally titled “Cameras and Picture Seize: Necessities and Finest Practices,” the checklist highlights the seize necessities essential to be certified as an accredited digital camera by the streamer, together with dynamic vary, decision, codec, workflow compatibility, and extra.
Netflix mandates that 90 p.c of a program’s closing runtime should be captured utilizing accredited cameras. The present checklist of accredited techniques consists of the Blackmagic URSA Cine 12K LF, Blackmagic URSA Mini Professional 12K OLPF, and the URSA Mini Professional 4.6K G2.
The Blackmagic URSA Cine 17K 65 is a digital movie digital camera that’s not afraid to push the boundaries. It means that you can shoot 65mm open gate 8K at as much as 100fps, or 17K at as much as 60fps with 16 stops of dynamic vary. That is made potential by its new, extraordinarily massive format 65mm RGBW 51 x 24mm picture sensor, designed to ship a very cinematic massive format look. The sensor is optimized for unimaginable high quality pictures in any respect resolutions from 4K to an enormous 17K, because of its distinctive RGBW structure that gives equal quantities of crimson, inexperienced, and blue pixels for unimaginable coloration tremendous sampling. With help for 8 Okay and 17 Okay resolutions, the Blackmagic URSA Cine is a game-changer on the planet of digital movie cameras.
The Blackmagic URSA Cine platform additionally introduces new superior digital movie applied sciences mixed with whole integration into the put up manufacturing workflow. Meaning it’s the primary digital movie digital camera platform with quick excessive functionality storage in-built, plus high-speed networking for on set media sync. You may also swap between PL, LPL and EF lens mounts. There’s even WiFi with SRT streaming for distant consumer viewing. Plus, the business commonplace Lemo and Fischer connections make it excellent for prime finish cinema manufacturing.
