Ariana Grande arrived on the Paris Opera on Friday night time in a classic Nineteen Fifties Lilli Diamond silk costume, marking the primary significant shift within the pink-forward wardrobe she has maintained all through the practically two-year “Depraved” promotional cycle. The looks, tied to the Paris premiere of “Depraved: For Good,” saved the method-dressing idea intact — however restructured it. As a substitute of main with pink, Grande put the colour on the within, a transfer that has turn into more and more widespread main as much as the discharge of the sequel.
The costume, sourced from Timeless Vixen, featured a ruched black bodice with skinny straps and three-dimensional fuchsia floral appliqués throughout the neckline. The coordinating coat was minimize from the identical black silk, with the fuchsia satin lining seen solely when the hem lifted. The impact preserved the Glinda sign with out repeating the total monochrome palette she predominantly relied on for screenings, tv tapings and photocalls whereas selling the primary movie within the two-part musical epic.
Ariana Grande carrying her classic Lilli Diamond costume and matching coat paired with Balenciaga Knife Pumps outdoors the Paris Opera on Friday night.
Pierre Suu/GC Pictures
The sooner section of her “Depraved: For Good” period has leaned visibly pink — a two-tone Andreas Kronthaler for Vivienne Westwood costume opened the tour in New York — however there have been exceptions. At CinemaCon final April, Grande traded Glinda pink for a black strapless velvet costume; on the MTV VMAs in September, she wore a classic strapless black Fendi robe with a pink pleated peplum that pushed the colour to accent slightly than headline; and in early January at Palm Springs, she selected a black classic Chanel costume. These detours foreshadowed Paris, the place the styling once more backs away from surface-level pink and redistributes it to the inside.
Ariana Grande seen selling “Depraved: For Good” in a two-tone Andreas Kronthaler for Vivienne Westwood costume on Oct. 27 in New York Metropolis.
GC Pictures
Whereas the costume was classic, her footwear selection was far more trendy. Grande paired the costume with black Balenciaga Knife pumps — a pointed-toe, stiletto-heel model that has gained over a slew of superstar followers. Jewellery was minimal, and her hair was pulled right into a excessive twisted bun, a to-go search for the Good Witch.
Lilli Diamond, energetic from the Forties by the Seventies, was recognized for event clothes with distinction linings and appliquéd bodices — a building element seen in surviving catalog ads and purple carpet archival sourcing. Grande’s use of a mid-century label suits the broader sample of her “Depraved” press tour, which has alternated between up to date runway and traditionally sourced items.
“Depraved: For Good,” starring Grande and Cynthia Erivo, opens Nov. 21.
