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    Home»Editing»How are modern filmmakers redefining questions and answers around frame rate? by Phil Rhodes
    Editing

    How are modern filmmakers redefining questions and answers around frame rate? by Phil Rhodes

    spicycreatortips_18q76aBy spicycreatortips_18q76aSeptember 22, 2025No Comments5 Mins Read
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    How are modern filmmakers redefining questions and answers around frame rate? 8
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    This feels prefer it captures the entire “digicam skilled on the telephone to manufacturing” vibe, doesn’t it?

    The entire examples given on this article are from actual technical specification sheets. Add your individual within the feedback!

    A very long time in the past, your narrator triggered confusion by strolling right into a manufacturing workplace and asking at what body fee a characteristic movie was to be shot. This appeared like an inexpensive query, talking as the one that must put that setting within the digicam. Figuring out precisely how a lot motion we wished in our film appeared fairly basic. Irrespective of the reply, it’s not a sophisticated query.

    The issue is, having a script earlier than beginning the shoot can also be fairly basic, and a few motion pictures notoriously don’t handle that, so it needs to be no shock that getting a solution took two days. The distinction between 23.98 and 24 is unlikely to invalidate anybody’s multi-million funding in movie manufacturing, however this type of slack-jawed manufacturing workplace confusion is hardly unfamiliar.

    For one more instance, not way back, yours really additionally consulted on a growth undertaking involving a requirement for a video enter in response to RS-170M. This sounds good – a choice has been made and a controlling normal clearly recognized. A few of our extra, eheh, skilled readers may marvel if that seems like a specification for 30-ish-frame, normal definition analogue video.

    Lizzie from manufacturing desires a chai latte and 4:3 cinemascope. By Pexels person Mart Manufacturing.

    Prehistoric requirements

    The issue is, it isn’t. Thumbing by means of the literature, we discover numerous requirements have titles a bit like “RS-170M”, but it surely’s fairly laborious to seek out something really and particularly referred to as RS-170M. The RS seems like an EIA normal, however the EIA has not existed in pushing fifteen years and its requirements had been principally outdated within the Nineteen Seventies. EIA RS-170 describes the primary monochrome 30-frame tv system. RS-170M additionally sounds a bit like SMPTE ST 170M, which specifies 29.97-frame color TV. EIA RS-170 and SMPTE ST 170M due to this fact specify two various things with essential incompatibilities.

    Anybody with expertise in defence can be utterly unsurprised that this example arose from a army contract. Technological archaeology like that is way more frequent underneath circumstances the place the unique requirement was punched out on a mid-century typewriter by somebody terrified that the pink menace may already be lurking in a closet with a Nagra SN. At greatest, updates to that type of factor are restricted to scanning the unique, at a slight angle, right into a marginally-readable, low-resolution PDF.

    It could be good to have the ability to say that this type of dedication to Luddism is reserved for presidency work. It seems, although, that clinging to one thing that labored final time is a reasonably common human intuition, one with a powerful foothold in media and leisure. The phrase “labored” is usually a harmful catchall. Taking pictures an entire film in 8 bit works. Many issues that labored demanded late nights, gnawed fingernails and the type of technological workarounds that we agree by no means to debate once more.

    That makes folks impatient with specs calling for, say, log uncooked, drop-frame 24p, or 4:2:2 color house, particularly when these issues labored final time. Final time, we deduct, somebody didn’t observe the principles, as a result of the principles had been ridiculous. A lot as it’s everybody’s job to be useful, papering over the cracks lays a minefield for future folks.

    So in actuality, a previous plan may need labored as meant solely generally. Or as soon as. Or, in truth, by no means, as a result of each individual ever requested to shoot a film at 50Mbps has suppressed the tears of rage and disappointment lengthy sufficient that the folks in cost by no means knew they had been being ignored.

    Can this half have extra pixels? By Pexels person Cottonbro Studio

    Mikey the digital loader

    Not less than 50Mbps was as soon as a practical broadcast specification, even when a barely misguided one (it was the best knowledge fee supported by early stable state onboard recorders). We should take some accountability for encouraging this type of maximalism amongst admin folks, having spent a long time inculcating the concept that extra is extra and knowledge is simpler to discard than to get better.

    Even so, each time somebody decides that as we speak’s cellphone-bound company video requires 6K uncompressed uncooked, probably the most instant penalties fall on the shoulders of Mikey the digital loader and his sweating Macbook. Worse, although, is one other cellphone-relevant thought: that 60 frames per second is greater than 24, and due to this fact higher. A lot because it offers a variety of helpful employment for optical circulation software program, that’s inevitably a damaging mistake.

    Sure, severely, these are all real-world examples, however okay: workplace persons are not digicam specialists. They may insist on an method which is able to make numerous technical folks grind their collective enamel, however we shouldn’t be unfair to them. Presumably, as an alternative, we must always make them write out, 100 instances, the phrases “I have to not ask the digicam division to bake protanopia.dice into each body we shoot.”

    Given the impossibility of proving a destructive proposition, if anybody can really show that a typical referred to as RS-170M does exist, we might be happy to listen to about it within the feedback. Within the meantime, let’s be magnanimous subsequent time manufacturing calls for we shoot in “4K UHD” and argues passionately in defence of the thought, regardless that it mustn’t take a lot domain-specific information to grasp that 4096 is greater than 3840.

    The reply, by the way, was 23.976fps. No one appeared to know why, and a yr later, the blu-ray was within the discount bins, but it surely’s not clear whether or not there may be any connection between these two issues.

    Answers Filmmakers Frame modern Phil questions Rate redefining Rhodes
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