We sat down with Susanne Wu from DZOFILM to speak concerning the newly launched Vespid 2 cine lens sequence. Introduced only some days earlier than IBC 2025, that is the ultimate model of the mission, now delivery in six focal lengths: 18mm, 24mm, 35mm, 50mm, 85mm, and 105mm.
The unique Vespid primes gained traction amongst unbiased filmmakers for his or her compact dimension and constant look. We had a ‘first look’ right here. The brand new Vespid 2 sequence builds on that base with lighter builds, quicker apertures, and broader format protection.
DZOFILM Vespid 2 lenses. Picture credit score: CineD
Lighter, quicker, and bigger protection
Susanne defined that the Vespid 2 lenses are about 20% lighter than the unique Vespid sequence, weighing between 760g and 850g (1.67–1.87 lbs), with a mean of round 800g (1.76 lbs). All six share a constant T1.9 aperture, a step quicker than the sooner variations. Format protection has additionally expanded: other than the 18mm, each focal size can cowl Blackmagic’s 17K sensor, in addition to medium format and a few 65mm codecs.
Optical design updates
Vespid 2 is a very new design in comparison with the primary technology. Picture high quality throughout the set is extra constant, in line with the corporate, with tighter management of chromatic aberration, flaring, and distortion. The lenses now lean towards a contemporary rendering, with cleaner coatings that preserve flare underneath management throughout all focal lengths.
Constructed-in LEMO connector. Picture credit score: CineD
Cooke/i assist and digital camera integration
A significant improve in Vespid 2 is the built-in Cooke/i protocol. DZOFILM licensed the expertise and built-in it throughout the lens line, enabling cameras such because the ARRI Mini LF, Sony Venice, and Blackmagic URSA 12K/6K to report iris, focal size, focus distance, and depth of area. Metadata is transmitted via a built-in LEMO connector, giving suitable cameras direct entry to this info. As Susanne identified, this type of metadata might be particularly priceless in put up and digital manufacturing workflows, the place correct lens knowledge accelerates compositing and VFX alignment.
Constant aperture at T1.9. Picture credit score: CineD
A broader lineup
Past the Vespid 2, Susanne famous that DZOFILM has expanded steadily since their founding in 2019, now providing primes, anamorphics, zooms, and macros. The corporate plans to maintain broadening their vary whereas refining current traces.
Value and availability
The lenses are already out there via resellers, with pricing between $1,200 (€1,040) and $1,300 (€1,200) per lens. There’s additionally a 6-lens equipment out there for $6,289 / €5,422.65. Inventory is confirmed to be delivery on the time of IBC.
The lenses ship in PL mount, however DZOFILM’s Octopus adapters permit them for use on E-mount, L-mount, or RF cameras.
Would you contemplate a $1,200–$1,300 cine prime with Cooke/i assist a very good steadiness of value and options? Tell us within the feedback.
