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    Home»Editing»Behind the Title: Bungalow 5 Editor Naomi Goodman
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    Behind the Title: Bungalow 5 Editor Naomi Goodman

    spicycreatortips_18q76aBy spicycreatortips_18q76aSeptember 11, 2025No Comments8 Mins Read
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    Behind the Title: Bungalow 5 Editor Naomi Goodman
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    Naomi Goodman is a senior business editor at Bungalow 5, a boutique put up home primarily based in Venice, California, and based by EP Josianne Côté. The Bungalow 5 group contains editors and VFX artists situated in Los Angeles and throughout Europe, whereas Goodman relies within the San Francisco Bay Space.

    “We’ve grown right into a close-knit, artistic household, and I’m proud to be a part of such an inspiring group. Probably the greatest elements is our unimaginable studio in Venice, strolling distance from Abbot Kinney and constructed by the well-known Billy Al Bengston. I really like enhancing in an artwork piece, and we’ve got an actual lap pool!”

    Honda

    What does being an editor nowadays entail?
    I’ve at all times felt enhancing is a mix of being a superb listener, having an eagle eye and being a superb problem-solver. You need to craft a narrative with what you might be given, work round obstacles — whether or not they’re technical or artistic — and be capable of see issues others may not.

    What would shock folks essentially the most about what editors do, along with conventional enhancing?
    I feel most individuals could be stunned by how a lot of the job of enhancing is about problem-solving, communication and artistic path. Editors aren’t simply placing the footage collectively; we assist form the tone, construction and emotion of a narrative.

    Editors are additionally therapists, in a manner. We’re at all times fascinated with how an viewers will really feel at each second. Whereas stunning footage, music, sound design and VFX all contribute to making a story, it’s the editor’s craft that brings all these components collectively, with emotion on the coronary heart of each choice.

    Do you placed on a unique hat when chopping for a selected style? Are you able to elaborate?
    Every venture I work on — whether or not it’s a fast-paced, attractive spot with enjoyable transitions and fancy VFX or an emotional, story-driven, doc-style piece — requires its personal rhythm, tone and tempo. So, relying on the style, I are likely to get in the precise mindset by listening to music that helps set the tone and watching different items that encourage me. Nevertheless, for any venture I work on, whatever the style, my artistic course of stays primarily the identical. I watch each body of the footage and collaborate with the creatives to assist create one of the best story I can.

    Acura

    Are you typically requested to do greater than edit? In that case, what are you requested to do?Oftentimes, I’ll do some sound design in addition to an preliminary cross of colour. I’ll generally additionally report a scratch VO simply to get began till I get a extra skilled one in a while.

    What’s your favourite approach to work with a shopper? Your confirmed methodology?
    After an preliminary dialog with the shopper, I prefer to have a day or so with the footage to observe every little thing and create my first cross primarily based on the boards. I really like this a part of the method — the primary day or two of enhancing, when I’ve a transparent imaginative and prescient for what the shopper desires and am allowed the liberty to create one thing out of the footage that’s given to me. I’ll typically create alt variations, the place I permit myself to strive one thing barely outdoors the field, whether or not that’s together with alt photographs or utilizing a unique construction from what was boarded. Additionally, whereas I attempt to get one thing to shoppers rapidly, I’ve a tough time exhibiting one thing that doesn’t really feel “completed,” so I attempt to make my first cross really feel as near completed as potential, with sound design, titles, music, and many others.

    What are some questions you ask of them to get the tone and tempo set in your thoughts?
    I prefer to have a dialog with the creatives to start out. One in all my favourite issues is to ask them to learn by means of the boards with me, out loud, as if they’re studying me a narrative that they wrote (which it sort of is). This manner, I can choose up on the nuances of their tone of voice and get a really feel for the tempo and the rhythm they’re going for. This can be a actually useful first impression of what their imaginative and prescient is. Then I’ll ask them for any artistic references and what sort of music they take note of.

    What system do you edit on?
    I take advantage of Adobe Premiere Professional.

    Honda

    Do you’ve gotten a favourite plugin or instrument inside that system that you simply name on so much?
    I don’t actually use plugins after I edit. As for instruments, Premiere Professional can just about do every little thing I have to do. However if you wish to know my favourite keyboard shortcut (moreover copy, paste and undo, after all), it’s “Lengthen Edit” — to not be confused with the Generative Lengthen instrument.

    Are you able to title some current jobs?
    I lately labored on a sequence of Honda and Acura spots that concerned a couple of transitional methods, some captured in-camera and others utilizing match cuts and fancy VFX transitions. It was superior engaged on these. The director had a really clear imaginative and prescient for a way they might work out in put up and shot them superbly, which made my job simple. I additionally beloved collaborating with our VFX artists, who make magic.

    What’s your favourite a part of the job?
    The primary three days of a job are my favourite. I get to speak with the director and the creatives to grasp their imaginative and prescient, I get to take a seat with the footage, watch each body of it, get to comprehend it by coronary heart, mess around with it, create one thing, mess around some extra, break it aside, strive one thing new, query myself, strive one thing loopy, tweak it a bit, after which current my work. For me, that course of is my favourite. After all, the remainder is nice too, however the first three days of the edit are essentially the most rewarding.

    What’s your least favourite?
    Making social variations and cut-downs.

    For those who didn’t have this job, what would you be doing as an alternative?
    I’d have been a very good physician. Whereas making adverts is creatively rewarding, saving folks’s lives has its perks. Plus, I feel I’ve a superb bedside method.

    Was there a movie or present that impressed you into this trade?
    I noticed a screening of the documentary The Identical River Twice on the Angelika Movie Middle in Manhattan, the place the director (Robb Moss) and editor (Karen Schmeer) did a Q&A afterward. I beloved that movie. The editor mentioned how she created emotion in a selected scene by staying on a shot, versus chopping away, and the way chopping a couple of frames earlier would have created a wholly completely different emotion. I used to be blown away by this concept and determined then and there that I wished to be an editor.

    How early do you know this might be your path?
    In elementary faculty, I fell in love with the movie The Breakfast Membership. With my allowance cash, I purchased a replica of the screenplay, which was offered at a flea market on the Higher West Facet in New York Metropolis. I learn each web page and bear in mind evaluating it to each body of the movie, making an attempt to grasp the way it was put collectively. Earlier than I even knew what enhancing was, I used to be fascinated with how the story was advised, from scripted phrases to photographs minimize collectively. I feel that have planted a seed for me. It’s nonetheless one in all my favourite movies.

    Any suggestions for these simply beginning out?
    Say sure to every little thing. Ask many questions. Pretend it until you make it.

    What are three items of know-how you possibly can’t stay with out?
    My telephone (however I’m generally tempted to throw it within the ocean and use a landline as an alternative), my report participant and my second monitor for enhancing.

    What do you do to de-stress from all of it?
    I’ve two children, so whereas being a mother is just not stress-free by any means, specializing in my children makes me do not forget that work is figure and life is life. It places issues in perspective and jogs my memory that my worth on this planet isn’t just primarily based on my profession, however in maintaining two children alive, completely satisfied and wholesome. I additionally prefer to go for lengthy walks.

     

     

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