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    Home»Editing»Behind the Title: Covert VFX Supervisor Hasan Khan
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    Behind the Title: Covert VFX Supervisor Hasan Khan

    spicycreatortips_18q76aBy spicycreatortips_18q76aJuly 17, 2025No Comments8 Mins Read
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    Behind the Title: Covert VFX Supervisor Hasan Khan
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    London-based Hasan Khan is a VFX supervisor at Covert, a brand new studio that gives VFX, animation, design, coloration and sound. They name themselves a remote-first firm.

    Says Khan, “At Covert, our artists are allowed to develop and additional their careers and experiment with strategies that you simply wouldn’t get at different firms with a extra conventional, inflexible pipeline.”

    We reached out to Khan to seek out out extra about his path and workflows…

    As a VFX supervisor, what does your job entail?
    In a typical workday, I spend most my time reviewing pictures and giving suggestions. I additionally plan future work, communicate with shoppers, translate suggestions to artists, construct our inner community/pipeline, bid on jobs with manufacturing, and usually am the middle of data for artists and manufacturing to achieve out to any time they’ve queries. On days when I’ve much less administration work to do, I are likely to experiment and analysis new strategies that can assist us on future initiatives, and if the celebrities align, I get to comp some pictures, too!

    What would shock individuals essentially the most about what falls beneath that title?
    The truth that you don’t actually get to composite a lot. When you’re supervising, it’s arduous to seek out the time to do the precise work. You find yourself spending most of your time giving suggestions, managing the mission, and liaising with shoppers. Leaving little or no time to be on the field.

    IMAX

    How lengthy have you ever been working in VFX, and in what sort of roles?
    I’ve been within the trade for about 9 years now. I began as a runner at Framestore, after which I received moved up into paint+roto. From there, it was straight into mid-level comp at MPC, and steadily rising through the years throughout a number of firms to the place I’m in now as a VFX supervisor.

    How has the VFX trade modified within the time you’ve been working? What’s been good?
    The trade has modified lots in the previous couple of years, particularly after COVID. The one factor that we thought would by no means occur is working from dwelling. With the character of our work, many initiatives we work on are beneath strict NDAs, which prevented working from dwelling earlier than. For the reason that pandemic, that has modified drastically. You’ve gotten many extra totally distant studios opening up, permitting individuals to have a work-life stability whereas working from the consolation of their very own dwelling. That’s most likely the very best change in the previous couple of years to occur within the trade.

    What’s been unhealthy?
    Sadly, whereas there have been good modifications within the trade, there have additionally been some unhealthy ones. With the introduction of AI, many individuals are dropping their jobs. Whereas it may be used as a useful device, in the end, it’s taking away from the artists who’ve spent their lives perfecting their craft. The strikes towards AI additionally resulted in drastically fewer jobs, as nothing was being filmed for the trade to work on. On prime of which, the UK has suffered particularly, as the rise in price of residing/decreased tax incentives has resulted in most massive firms shutting down their operations right here and shifting their work to different nations the place it’s cheaper to supply the work.

    In current months, we’ve additionally had VFX giants just like the Technicolor group and Jellyfish shutting down, leading to a flood of artists who’re out of a job. For my part, the golden age of VFX has ended within the UK, and plenty of artists are both out of a job or seeking to different nations to seek out work. It’s actually heartbreaking, as I used to be fortunate sufficient to see how nice it was earlier than and am presently witnessing the decline of our once-prosperous trade.

    Do you want being on-set for pictures? What are the advantages?
    Completely! It’s at all times nice getting away from the desk and experiencing work on-set. Whereas the hours could be longer and extra tiring, it’s nonetheless a pleasant break from the day-to-day of comping/supervising. You additionally get to satisfy lots of new individuals and create new trade relationships. Being a part of the method from filming additionally aids us in producing nice work afterward. You’re feeling extra concerned within the mission, as you’ve seen it in all levels.

    Have you ever labored on any digital manufacturing initiatives?
    I’ve not labored on-set personally, however I’ve labored on digital productions in comp. Whereas digital productions are nice, my expertise was on Thor: Love and Thunder. Sadly, they ended up scrapping all the things they shot within the digital manufacturing set in favor of conventional background comps.

    What do you see as a giant pattern that’s presently occurring or possibly on the verge of occurring? Is it AI? In that case, what are your ideas on the way it could possibly be used for the great and never the unhealthy in VFX?
    AI is unquestionably the most important pattern in recent times for VFX. Some firms use it tactfully, whereas others abuse it. AI is a device, and if utilized in a manner that doesn’t have an effect on artists/jobs, it may be very highly effective.

    Sadly, many firms are utilizing it to switch jobs, which is the most important subject, as I discussed earlier. Whereas it could possibly velocity up workflows for artists (particularly the mundane duties), it can be used to switch artists. I consider AI ought to solely be used for non-creative duties. The duties that take some time don’t make a distinction to the artistic concepts in our work. As AI’s nature is to recycle present work, it could possibly by no means create something new or distinctive. That half must be left to the gifted artists who’ve educated their lives to create wonderful work.

    Did a selected movie encourage you alongside this path in leisure?
    Not a movie, specifically, however I do take inspiration from all the things I see, whether or not it’s movies, TV reveals, YouTube movies and even stuff you see in your day by day life, I’m all about aesthetics. So, I take inspiration from something I discover aesthetically pleasing and attempt to apply it to my work.

    The place do you discover inspiration now?
    Throughout me. The great thing about VFX is that there’s a lot range within the work we do that you could take inspiration from wherever. Lately, reveals like Severance, Secret Degree, Dune and aesthetic YouTube movies have been a giant inspiration.

    Did you go to artwork faculty?
    I studied laptop animation and VFX on the College of Bradford. Whereas not precisely a movie/artwork faculty, it gave me the assets I wanted to get to the place I’m in the present day.

    What’s your favourite a part of the job?
    Positively the tip outcome. After all of the blood, sweat and tears, all of it feels price it when you see the completed mission. It jogs my memory why I do that and it retains me going. I additionally get a buzz from chatting with different creatives and sharing concepts/ideas. I at all times discover it motivating to speak to like-minded people with the identical aim of making wonderful work.

    When you didn’t have this job, what would you be doing as a substitute?
    No thought (laughs). In all probability pictures or videography, or anything that’s artistic. There was some extent the place I needed to be a DP, so possibly that?

    Lenovo

    Are you able to identify some current work?
    I just lately completed a large mission for Lenovo’s new gaming laptops. Earlier than that, I labored on the brand new branding for IMAX. Earlier than Covert, I used to be working in movie/TV on initiatives like The Lion King, Physician Unusual and Guardians of the Galaxy.

    What instruments do you utilize day after day?
    I principally use Nuke for compositing, however just lately, I suppose it’s been Google Sheets and ftrack for job monitoring and supervising. I additionally use different bits of software program, like Premiere Professional and Photoshop for extra particular duties on jobs.

    What do you do to de-stress from all of it?
    Video games are my go-to in the case of stress reduction. Each time issues really feel like they’re an excessive amount of to deal with, I bounce on a sport to flee actuality for a bit, because it helps clear my thoughts. The fitness center can also be a good way to destress, as I can channel the stress and frustration into weightlifting!

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